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Samuel Ricke
Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart
Samuel Ricke
2:27 Est. Play
Time
40 Measures
1,430Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 30 1 15 4 100%
Violino
II.		 Treble 25 1 14 4 100%
Violoncello, Basso
ed
Organo.		 Bass 33 0 12 4 86%
Viola. 25 0 14 4 80%
Fagotti. Bass 22 15 11 7 78%
Alto. 13 0 5 5 77%
Soprano. 14 0 4 4 77%
Organ Bass 31 22 15 6 76%
Trombone
alto ed
tenore.		 16 0 8 7 76%
Trombone
basso.		 Bass 18 0 5 5 76%
Basso. Bass 19 0 6 6 71%
Corni
di
Bassetto in
F.		 Treble 13 9 5 3 69%
Tenore. 17 0 8 7 68%
Trombe
in
D.		 Treble 6 4 0 1 53%
Timpani
in
D.A.		 Bass 4 0 0 1 51%
 
Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie
Samuel Ricke
6:41 Est. Play
Time
70 Measures
2,953Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 78 8 8 100%
Bass 22 0 8 5 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 78 8 8 100%
Bass 22 0 8 5 100%
Bassi ed
Organo.		 Bass 22 1 8 5 100%
Contrabasso. Bass 22 1 8 5 100%
Fagotto. Bass 22 1 8 5 100%
Violino
II.		 Treble 29 0 10 8 100%
Violino
I.		 Treble 29 0 10 9 99%
Alto. 10 0 2 4 7%
14 0 5 7 80%
Soprano. 16 0 5 9 76%
6 0 1 4 4%
Trombone
I.		 13 0 4 7 74%
Basso. Bass 3 0 1 3 4%
Bass 17 0 7 8 73%
Tenore. 8 0 2 4 7%
13 0 3 7 70%
Clarini
in
C.		 Treble 8 8 1 6 70%
Trombone
III.		 Bass 17 0 7 8 67%
Trombone
II.		 13 0 3 7 64%
Trombe
in
C.		 Treble 4 2 0 5 55%
Timpani
in
C.G.		 Bass 3 0 0 5 49%
 
Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart
Samuel Ricke
4:33 Est. Play
Time
76 Measures
2,218Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 24 0 8 4 100%
Organo Treble 18 74 6 6 71%
Bass 28 0 7 5 99%
Viola 23 1 8 7 99%
Violino
II		 Treble 25 6 8 8 95%
Violino
I		 Treble 24 6 8 7 89%
Contrabasso Bass 20 0 6 4 84%
Fagotti 26 0 7 6 84%
Corni
di
Basetto		 Treble 21 0 6 9 78%
Tenore 14 0 4 6 76%
Alto 13 0 4 7 71%
Trombone
tenore		 16 0 3 6 68%
Soprano 14 0 4 9 67%
Trombone
Alto		 15 0 4 8 64%
Basso Bass 19 0 6 6 59%
Trombe
in
B		 Treble 8 8 0 4 27%
Trombone
Basso		 Bass 12 0 1 4 26%
 
Mozart: Symphony No. 39 in E♭ Major, K. 543: III. Menuetto "Allegretto"
Samuel Ricke
3:05 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 24 4 6 4 100%
Violino
II.		 Treble 23 2 5 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 24 4 6 4 100%
Violino
II.		 Treble 23 2 5 4 100%
Basso. Bass 15 0 1 3 96%
Violoncello. Bass 15 0 1 3 96%
Viola. 16 0 3 4 96%
Clarinetti
in
B.		 Treble 19 18 1 4 80%
Fagotti. Bass 13 11 0 3 64%
Flauto. Treble 11 0 0 4 62%
Corni
in
Es.		 Treble 8 8 0 3 57%
Trombe
in
Es.		 Treble 5 4 0 2 38%
Timpani
in
Es.B.		 Bass 2 0 0 1 35%
 
Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"
Samuel Ricke
18:36 Est. Play
Time
161 Measures
2,004Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 24 0 9 7 95%
Violino
II.		 Treble 24 12 10 9 93%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 24 0 9 7 95%
Violino
II.		 Treble 24 12 10 9 93%
Viola. 24 8 8 8 92%
Violino
I.		 Treble 32 2 17 11 89%
Basso. Bass 24 0 9 6 76%
Fagotti. Bass 23 34 9 8 59%
Clarinetti
in
B.		 Treble 26 45 8 8 58%
Corni
in
Es.		 Treble 11 8 1 5 50%
Flauto. Treble 22 0 9 7 41%
 
Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"
Samuel Ricke
12:38 Est. Play
Time
125 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
Violino
I.		 Treble 34 1 15 8 96%
Contrabasso. Bass 25 0 10 5 90%
Violoncello. Bass 26 0 10 5 90%
Fagotti. Bass 25 25 9 7 57%
Clarinetti
in
B.		 Treble 26 29 9 7 53%
Oboi. Treble 23 26 10 5 35%
Treble 23 34 11 7 52%
Corni
in
Es.		 Treble 11 10 2 5 48%
Flauto. Treble 19 0 9 7 47%
 
Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"
Samuel Ricke
8:06 Est. Play
Time
266 Measures
3,616Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 33 5 16 7 99%
Violino
II.		 Treble 31 19 13 5 96%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 33 5 16 7 99%
Violino
II.		 Treble 31 19 13 5 96%
Violoncello. Bass 27 0 10 4 82%
Fagotti. Bass 33 52 16 5 81%
Viola. 27 19 12 5 78%
Clarinetti
in
B.		 Treble 24 48 7 5 77%
Basso. Bass 27 0 10 4 76%
Flauto. Treble 25 0 11 5 73%
Corni
in
Es.		 Treble 13 20 3 5 71%
Trombe
in
Es.		 Treble 7 8 0 5 50%
Timpani
in
Es.B.		 Bass 2 0 0 4 42%
 
Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155
Samuel Ricke
11:37 Est. Play
Time
291 Measures
6,237Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
Fagotti. Bass 27 0 9 7 100%
Violino
II.		 Treble 29 0 11 9 100%
Violino
I.		 Treble 30 2 13 10 99%
Organo. Treble 23 153 9 6 98%
Bass 27 0 9 7 98%
Soprano. 18 0 7 8 69%
Alto. 16 0 6 8 69%
Tenore. 18 0 7 8 68%
Basso. Bass 21 0 9 7 64%
Trombone
I.		 16 0 6 7 51%
Trombone
II.		 16 0 5 7 50%
Trombone
III.		 Bass 19 0 7 7 49%
Clarini
in
C.		 Treble 8 9 2 7 34%
Trombe
in
C.		 Treble 3 2 0 5 24%
Timpani
in
C.G.		 Bass 2 0 0 5 21%